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<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description></description><title>barnard grrls</title><generator>Tumblr (3.0; @barnardgrrls)</generator><link>http://barnardgrrls.tumblr.com/</link><item><title>i am not a good enough feminist.</title><description>&lt;a href="http://concreteutopia.org/i-am-not-a-good-enough-feminist/"&gt;i am not a good enough feminist.&lt;/a&gt;: &lt;p&gt;Upcoming exhibition at &lt;a href="http://www.concreteutopia.org/"&gt;CONCRETE UTOPIA&lt;/a&gt;, Brooklyn-based project space founded by Barnard Grrls Melanie Kress and Rosie DuPont.&lt;/p&gt;</description><link>http://barnardgrrls.tumblr.com/post/3925610435</link><guid>http://barnardgrrls.tumblr.com/post/3925610435</guid><pubDate>Thu, 17 Mar 2011 16:07:00 -0400</pubDate><category>concrete utopia</category><category>feminism</category><category>feminist art</category><category>melanie kress</category><category>rosie dupont</category><category>brooklyn</category></item><item><title>Students outside of Hemlock Cabin, Barnard Camp (Holly House), ...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_li5oolv70Q1qi1mzpo1_r1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Students outside of Hemlock Cabin, Barnard Camp (Holly House),  c.1948-1950. Photograph by Charlotte Portraits. Courtesy of the Barnard  College Archives.&lt;/p&gt;
&lt;p&gt;[&lt;a href="http://barnardarchives.wordpress.com/gallery-holly-house/camp_hemlock50/"&gt;via&lt;/a&gt;]&lt;/p&gt;</description><link>http://barnardgrrls.tumblr.com/post/3900970816</link><guid>http://barnardgrrls.tumblr.com/post/3900970816</guid><pubDate>Wed, 16 Mar 2011 13:12:08 -0400</pubDate><category>city grrls go country</category></item><item><title>Doris Laudre ’44 splitting wood in the snow at Barnard Camp...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_li5pzeWJ5m1qi1mzpo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;Doris Laudre ’44 splitting wood in the snow at Barnard Camp (Holly  House), 1942. Photograph by Westchester Photo Service. Courtesy of the  &lt;a href="http://barnardarchives.wordpress.com"&gt;Barnard College Archives&lt;/a&gt;.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;From 1933 until around 1991, Barnard operated Holly House, a rustic retreat (er, “camp”) in Croton-on-Hudson. Originally it was a way for Barnard’s Athletic Association to offer an outdoorsy phys ed option, but it became a popular escape for citified students who wanted to roll up their sleeves and play country girl for a weekend (for a few dollars).&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Camp offered a welcome return to simple, rustic life. A modest cabin  furnished simply with just a meager cookstove, a few comfy sofas, and a  large fireplace was the only escape from winter’s chill. The building  slept 15-20 students in two bunk rooms, each heated with a small stove;  braver souls could also elect to doze on a screened sleeping porch. All  amenities were acquired outside and required a little elbow  grease—students pumped their own water, cooked food over a fire pit,  bathed in the lake or with primitive showers, and used outhouses  connected only to refuse pits. Three small campsites constructed by  students—“Eagle’s Nest,” “Hemlock” and “Red Oaks”—provided extra space  to cook, relax, and dispose of waste.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;—Abbey Ozanich ‘11, &lt;a href="http://barnardarchives.wordpress.com/2009/07/22/into-the-wild-barnard-camp/"&gt;“Into the Wild: Barnard Camp”&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;By the ’60s, however, writes Ozanich, few students were interested in chopping wood, and camp use dwindled. Quoting the Barnard College Camp Report 1961-62, Ozanich discovers one reason: “Apparently few are interested in spending a weekend of group living with  girls, especially when there are chores and some discomfort.” And, clearly must have been all that Beat poetry they were reading in  coffeehouses that was compelling them to stay put in the city on the weekends.&lt;/p&gt;
&lt;p&gt;Will they ever revive the Camp Barnard concept, what with locavorism and farmer chic being all the rage these days?&lt;/p&gt;</description><link>http://barnardgrrls.tumblr.com/post/3899588447</link><guid>http://barnardgrrls.tumblr.com/post/3899588447</guid><pubDate>Wed, 16 Mar 2011 11:35:00 -0400</pubDate><category>Holly House</category><category>Barnard College Archives</category><category>City grrls go country</category><category>Barnard Camp</category><category>chopping wood</category></item><item><title>“On Drug Freakouts,” from the 1970 Barnard...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_li46oouWG21qi1mzpo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;“On Drug Freakouts,” from the 1970 Barnard “reorientation” booklet, page 13. Courtesy of the Barnard College Archives.&lt;/p&gt;</description><link>http://barnardgrrls.tumblr.com/post/3899082266</link><guid>http://barnardgrrls.tumblr.com/post/3899082266</guid><pubDate>Wed, 16 Mar 2011 10:52:49 -0400</pubDate><category>drug freakouts</category><category>try our new coffee house in John Jay instead</category><category>1970s Barnard</category></item><item><title>Janna Levin ‘88, theoretical physicist. Author of A Madman...</title><description>&lt;embed src="http://media.mtvnservices.com/mgid:cms:item:comedycentral.com:73484" width="400" height="325" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" base="." flashvars=""&gt;&lt;/embed&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;a href="http://www.jannalevin.com/index.htm"&gt;Janna Levin ‘88&lt;/a&gt;, theoretical physicist. Author of &lt;a href="http://www.jannalevin.com/books.html"&gt;&lt;em&gt;A Madman Dreams of Turing Machines.&lt;/em&gt;&lt;/a&gt; Above, her appearance on &lt;em&gt;The Colbert Report&lt;/em&gt;, August 24, 2006.&lt;/p&gt;</description><link>http://barnardgrrls.tumblr.com/post/3883021367</link><guid>http://barnardgrrls.tumblr.com/post/3883021367</guid><pubDate>Tue, 15 Mar 2011 16:49:07 -0400</pubDate><category>Janna Levin</category><category>theoretical physics</category><category>The Colber Report</category><category>Theory of Everything</category><category>A Madman Dreams of Turing Machines</category></item><item><title>Laurie Anderson ‘69, “TV Lunch”</title><description>&lt;iframe width="400" height="325" src="http://www.youtube.com/embed/jIJacmAQe1Y?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Laurie Anderson ‘69, “TV Lunch”&lt;/p&gt;</description><link>http://barnardgrrls.tumblr.com/post/3881122982</link><guid>http://barnardgrrls.tumblr.com/post/3881122982</guid><pubDate>Tue, 15 Mar 2011 15:11:32 -0400</pubDate><category>laurie anderson</category><category>public service announcement</category><category>barnard</category><category>performance art</category></item><item><title>Laurie Anderson ‘69, musician, inventor of experimental...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_li454ccTVE1qi1mzpo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Laurie Anderson ‘69, musician, inventor of experimental electronic instruments, “audio drag” performer. Photographed in 1978.&lt;/p&gt;</description><link>http://barnardgrrls.tumblr.com/post/3881053852</link><guid>http://barnardgrrls.tumblr.com/post/3881053852</guid><pubDate>Tue, 15 Mar 2011 15:07:24 -0400</pubDate><category>laurie anderson</category><category>audio drag</category><category>barnard</category><category>experimental music</category><category>performance art</category></item><item><title>—Joyce Johnson ‘55, writer. Excerpt from Minor...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_li21pxsc4A1qi1mzpo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;—Joyce Johnson ‘55, writer. Excerpt from &lt;a href="http://www.amazon.com/gp/reader/0140283579/ref=sib_books_pg?p=S07J&amp;keywords=joyce+johnson&amp;ie=UTF8&amp;qid=1300116353#reader_0140283579"&gt;&lt;em&gt;Minor Characters: A Beat Memoir&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;</description><link>http://barnardgrrls.tumblr.com/post/3860273573</link><guid>http://barnardgrrls.tumblr.com/post/3860273573</guid><pubDate>Mon, 14 Mar 2011 16:05:07 -0400</pubDate><category>joyce johnson</category><category>beat generation</category><category>jack kerouac</category><category>minor characters</category><category>memoir</category><category>writing</category></item><item><title>
Wine is so strange and potent a thing that it has been used in...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_li1zljPfSz1qi1mzpo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;blockquote&gt;
&lt;p&gt;Wine is so strange and potent a thing that it has been used in the central ritual of religion in one place and time, and attacked by a virago with a hatchet in another. There is only one thing in the world that is capable of stirring and altering men’s minds to the same extent, and that is the coherent expression of thought. That is man’s chief miracle, unique to man. There is no ‘explanation’ whatever of the fact that I can make arbitrary sounds which will lead a total stranger to think my own thought. It is sheer magic that I should be able to hold a one-sided conversation by means of black marks on paper with an unknown person half-way across the world. Talking, broadcasting, writing, and printing are all quite literally forms of thought transference, and it is the ability and eagerness to transfer and receive the contents of the mind that is almost alone responsible for human civilization.&lt;/p&gt;
&lt;p&gt;• • •&lt;/p&gt;
&lt;p&gt;Type well used is invisible as type, just as the perfect talking voice is the unnoticed vehicle for the transmission of words, ideas.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;—Beatrice L. Warde ‘20 (?), typographer, calligrapher, writer, historian. Excerpt from &lt;a href="http://gmunch.home.pipeline.com/typo-L/misc/ward.htm"&gt;The Crystal Goblet, or Printing Should Be Invisible.&lt;/a&gt;&lt;/p&gt;</description><link>http://barnardgrrls.tumblr.com/post/3855615834</link><guid>http://barnardgrrls.tumblr.com/post/3855615834</guid><pubDate>Mon, 14 Mar 2011 11:12:00 -0400</pubDate><category>beatrice warde</category><category>typography</category><category>barnard</category><category>1920s</category></item><item><title>"Poem About My Rights" by June Jordan</title><description>&lt;p&gt;Even tonight and I need to take a walk and clear   my head about this poem about why I can’t    go out without changing my clothes my shoes    my body posture my gender identity my age  my status as a woman alone in the evening/    alone on the streets/alone not being the point/  the point being that I can’t do what I want    to do with my own body because I am the wrong    sex the wrong age the wrong skin and    suppose it was not here in the city but down on the beach/    or far into the woods and I wanted to go    there by myself thinking about God/or thinking    about children or thinking about the world/all of it    disclosed by the stars and the silence:    I could not go and I could not think and I could not    stay there    alone    as I need to be    alone because I can’t do what I want to do with my own    body and    who in the hell set things up    like this   &lt;!-- more --&gt;&lt;br/&gt; and in France they say if the guy penetrates    but does not ejaculate then he did not rape me    and if after stabbing him if after screams if    after begging the bastard and if even after smashing    a hammer to his head if even after that if he    and his buddies fuck me after that    then I consented and there was    no rape because finally you understand finally    they fucked me over because I was wrong I was    wrong again to be me being me where I was/wrong  to be who I am    which is exactly like South Africa    penetrating into Namibia penetrating into  Angola and does that mean I mean how do you know if  Pretoria ejaculates what will the evidence look like the  proof of the monster jackboot ejaculation on Blackland  and if  after Namibia and if after Angola and if after Zimbabwe  and if after all of my kinsmen and women resist even to  self-immolation of the villages and if after that  we lose nevertheless what will the big boys say will they  claim my consent:  Do You Follow Me: We are the wrong people of  the wrong skin on the wrong continent and what  in the hell is everybody being reasonable about  and according to the &lt;em&gt;Times&lt;/em&gt; this week  back in 1966 the C.I.A. decided that they had this problem  and the problem was a man named Nkrumah so they  killed him and before that it was Patrice Lumumba  and before that it was my father on the campus  of my Ivy League school and my father afraid  to walk into the cafeteria because he said he  was wrong the wrong age the wrong skin the wrong  gender identity and he was paying my tuition and  before that  it was my father saying I was wrong saying that    I should have been a boy because he wanted one/a  boy and that I should have been lighter skinned and  that I should have had straighter hair and that  I should not be so boy crazy but instead I should  just be one/a boy and before that           it was my mother pleading plastic surgery for  my nose and braces for my teeth and telling me  to let the books loose to let them loose in other  words  I am very familiar with the problems of the C.I.A.  and the problems of South Africa and the problems  of Exxon Corporation and the problems of white  America in general and the problems of the teachers  and the preachers and the F.B.I. and the social  workers and my particular Mom and Dad/I am very  familiar with the problems because the problems    turn out to be    me  I am the history of rape    I am the history of the rejection of who I am    I am the history of the terrorized incarceration of    myself    I am the history of battery assault and limitless    armies against whatever I want to do with my mind    and my body and my soul and    whether it’s about walking out at night    or whether it’s about the love that I feel or    whether it’s about the sanctity of my vagina or    the sanctity of my national boundaries    or the sanctity of my leaders or the sanctity    of each and every desire    that I know from my personal and idiosyncratic    and indisputably single and singular heart    I have been raped    be-  cause I have been wrong the wrong sex the wrong age    the wrong skin the wrong nose the wrong hair the    wrong need the wrong dream the wrong geographic    the wrong sartorial I    I have been the meaning of rape    I have been the problem everyone seeks to    eliminate by forced    penetration with or without the evidence of slime and/    but let this be unmistakable this poem    is not consent I do not consent    to my mother to my father to the teachers to    the F.B.I. to South Africa to Bedford-Stuy    to Park Avenue to American Airlines to the hardon    idlers on the corners to the sneaky creeps in    cars    &lt;em&gt;I am not wrong: Wrong is not my name&lt;/em&gt; My name is my own my own my own    and I can’t tell you who the hell set things up like this  but I can tell you that from now on my resistance    my simple and daily and nightly self-determination    may very well cost you your life&lt;br/&gt;&amp;#8212;June Jordan &amp;#8216;55, &lt;em&gt;Poem About My Rights&lt;/em&gt;&lt;/p&gt;</description><link>http://barnardgrrls.tumblr.com/post/3837417221</link><guid>http://barnardgrrls.tumblr.com/post/3837417221</guid><pubDate>Sun, 13 Mar 2011 15:47:00 -0400</pubDate></item><item><title>Twyla Tharp ‘63, photographed by Richard Avedon</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_li0gp10WdO1qi1mzpo1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;em&gt;Twyla Tharp ‘63, photographed by Richard Avedon&lt;/em&gt;&lt;/p&gt;</description><link>http://barnardgrrls.tumblr.com/post/3836947470</link><guid>http://barnardgrrls.tumblr.com/post/3836947470</guid><pubDate>Sun, 13 Mar 2011 15:27:01 -0400</pubDate></item><item><title>The lovely Melissa Seley alerted me to the existence of ...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_li0cr5YpQF1qi1mzpo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;The lovely &lt;a href="http://www.melissaseley.com/"&gt;Melissa Seley&lt;/a&gt; alerted me to the existence of  &lt;a href="http://sarahlawrencegirls.tumblr.com/"&gt;sarahlawrencegirls.tumblr.com&lt;/a&gt;, where I subsequently found &lt;a href="http://illuminations.tumblr.com/post/3833993560/sarahlawrencegirls-rahm-emanuel-sarah-lawrence"&gt;an incredible  photo of Rahm Emanuel, Sarah Lawrence ‘81, in a unitard&lt;/a&gt;. Apparently, he  studied ballet as a kid and turned down a scholarship to the Joffrey  Ballet school to attend Sarah Lawrence, no stranger to dance programs  itself.&lt;/p&gt;
&lt;p&gt;I joked to her that I’d start barnardgirls.tumblr.com if I  could find a photo of Martha Stewart in a leotard.&lt;/p&gt;
&lt;p&gt;Well, guess what Melissa found:&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Martha Stewart, Chanel model circa 1960&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;I know Barnard and Sarah Lawrence are Sisters and all (of “Seven” fame), but it felt more &lt;em&gt;Barnard&lt;/em&gt; to name the blog “barnardgrrls.tumblr.com” and just call it an homage to a ’90s rock movement that happened to be of particular importance when I matriculated in 1996.&lt;/p&gt;
&lt;p&gt;Stay tuned for more Barnard Grrls of all eras, in all mediums.&lt;/p&gt;
&lt;p&gt;And you can send submissions of your favorite Barnard Grrls to: barnardgrrls (at) gmail (dot) com—literary mentions, photos, science journal articles, tweets…&lt;/p&gt;</description><link>http://barnardgrrls.tumblr.com/post/3835058076</link><guid>http://barnardgrrls.tumblr.com/post/3835058076</guid><pubDate>Sun, 13 Mar 2011 14:01:53 -0400</pubDate><category>martha stewart</category><category>barnard</category><category>barnard grrls</category></item></channel></rss>
